song here i am to worship (2024)

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Song by Song is a podcast celebrating the music of Tom Waits, hosted by podcaster-musician Martin Zaltz Austwick and actor-musician Sam Pay. Sam and Martin set themselves the goal of listening to Tom Waits’s back catalogue from beginning to end, and devoting an episode to discussing each track.

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Welcome to Song Profiles. In This episode, we take a look at: Christmas in Prison John Prine's Enduring Ballad of Hope and Isolation
When iconic singer-songwriter John Prine penned the bittersweet classic “Christmas in Prison” for his 1973 album Sweet Revenge, he was still years away from stardom. But the melancholy holiday ballad struck an emotional chord with listeners that made it an enduring fan favorite across his storied catalog. Beyond just conveying the grief and isolation of incarceration, it evolved into an anthem speaking to the resilient human spirit finding fellowship and hope despite darkness.
Prine’s Lyrical Mastery: Capturing Emotional Truth in Simple Words
While Prine became known for lyrical brilliance blending wry humor with philosophical introspection, “Christmas in Prison” departs towards stark realism. Devoid of ornamental language, the plainspoken words collapse the emotional distance between listener and inmate. Like the haunting works of folk legend Woody Guthrie, Prine masterfully gives voice to marginalized souls using barebones language and hauntingly spare production.
The song originated on a late December drive through Kentucky where Prine spotted a state prison glowing against the night horizon. The juxtaposition of cheer against confinement stirred the creative wellspring. Yet rather than preaching politics or penitence, Prine zooms in on the humanity behind barred windows. His gift for conveying volumes through sparse lyrics shines in verses like: “The searchlights blinded me with pain / As they pierced cold iron walls again / For prison ain't a good ol' place / To be at Christmas time.” Slashing orchestration then swells only for the line “But we sing carols / Through steel bars so cold” - capturing both desolation and perseverance. Where many protest singers sermonize about systemic change, Prine simply spotlights the endurance of spirit when such external hopes fail.

While never imprisoned himself, John Prine related to confinement and despair as pillar themes throughout his career. In his early days, he endured soul-crushing Army service followed by a despairing post-office job alongside fruitless music industry knocking. Later in life, cancer surgeries left his voice and facial expressions partially frozen. But like the incarcerated narrator, he transformed suffering into beloved songs highlighting human resiliency against long odds - many centered around holiday isolation.
Beyond empathy for the imprisoned, Prine channeled his own recurrent themes of military loneliness and homesickness into “Christmas in Prison”. Though blending fiction with true emotion, he gave authentic voice to experiences beyond his direct own - an apt zenith of folk music’s historic role channeling grassroots stories otherwise silenced. The universally felt sentiments of missing loved ones at Christmas secured its timeless appeal.

By nearly all metrics, the song makes an unlikely seasonal standard - devoid of commercial cheer or sentimentality. The lyrics mention no holiday names at all except the chilling and sparse final line “Merry Christmas to you all.” Even without explicitly political messaging, resisting idyllic portrayals of a holiday straining against reality proved characteristic of Prine’s subtle rebellious streak towards institutional norms. Much like “Angel from Montgomery”, “Christmas in Prison” fits among folk tradition of spotlighting outcast stories through the utter simplicity and honesty of plainspoken words set against solemn melody. Devoid of jingling bells or hoofbeats on roofs, Prine relied solely on human vulnerability to carry its emotional weight.

Upon its launch in 1973, “Christmas in Prison” saw marginal success and remained an obscure album cut on Sweet Revenge played only occasionally on Prine’s tours. But its solemn singalong quality endeared itself to fans across the decades as more artists discovered his catalog. In 1991, legendary Johnny Cash covered the song for his first Christmas record ushering it towards ubiquity. When rising indie star Conor Oberst interpreted a shivering cover with Bright Eyes in 2002, its status as a morose holiday staple solidified.
On the surface, its lyrics read as a resigned tale of two prisoners simply enduring their hopeless plight - and perhaps nothing more given Prine’shabit of writing character-driven fiction. But through its swelling decades-long legacy, “Christmas in Prison” evolved into a subtle protest tune for some fans and prison reform advocates - humanizing inmates demonized as society’s outcasts. Like his dreamy ode “Angel from Montgomery”, Prine’s window into isolated lives so opposite our sentimentalized norms sparked gradual culture change simply by storytelling. His songs excel not through preaching politics or demanding revolution, but by revealing our shared fallibility and dignity during seasons supposedly immune to misery.
After 2020 took John Prine’s life and the pandemic distanced millions more, “Christmas in Prison” cuts closer to collective emotional marrow than ever - spotlighting the fortitude of human bonds when even hope feels barred beyond reach. For if we hear pain and prayer in a carol ringing through iron gates, perhaps liberty lies waiting in realizing those gates barred no one but ourselves all along. The songscales no walls; it illuminates primordial freedom within them. Thanks for listening to Quiet Please. Remember to like and share wherever you get your podcasts